![]() ![]() Hoberman invented the term “kamikaze auteurism” to describe filmmakers who gleefully and masochistically follow their artistic passion far beyond the boundaries of logic and common sense. Phoenix would later call this interview “a beatdown,” one he’d specifically gone looking for.Ī few years ago, film critic J. For the rest of his life, when people talk about Joaquin Phoenix this infamous appearance on “The Late Show With David Letterman” will be the first thing they mention. The stink of a bad talk show appearance on national television is a lot tougher to wash off. Of course, even in the age of YouTube, a bad club gig captured on crummy cell phone cameras gets forgotten eventually. It takes serious balls to risk your entire career to prove a point, or to gain a ton of weight, grow a beard, and get on stage only to rap really ( really) badly. It makes people angry to watch an incredibly talented person throw away a gift they wished they had - like when Michael Jordan decided to stop being the greatest basketball player who ever lived in order to be a mediocre baseball player, or when Ricky Williams retired from football to smoke weed and study holistic medicine - and it’s easy to understand why.īut let’s give credit where credit’s due: very few people could have pulled off “I’m Still Here”‘s high wire act of long-form public embarrassment. If an artist only has so many good years in their prime to create their best work, you could argue that Phoenix willingly sacrificed several of his just to make an elaborate prank about the idiocy of the Hollywood star system and the parasitic celebrity media culture that leeches off it. Sabotaging a movie is one thing sabotaging yourself is another. And if we hadn’t met “I’m Still Here”‘s “Joaquin Phoenix” we may never have witnessed “The Master”‘s Freddie Quell. With so many people commenting on Phoenix’s “comeback,” it’s feels like a good time to formally acknowledge the demented brilliance of “I’m Still Here” - whose very title suggests that the actor may have experienced some lapses in judgment, but never in talent. ![]() Phoenix, his shoulders hunched, his speech barely intelligible, his face twisted, pushes his performance beyond the psychological gestures of the Method (which was very much in vogue in the early days of Dianetics) into a zone of pure, feral, improvisatory being,” says A.O. Now, two years later, Phoenix is back at work with a new and undeniably fictional movie, Paul Thomas Anderson’s “ The Master.” His turn as the animalistic disciple of a 1950s cult leader is earning him some of the best reviews of his career (“Mr. I do like making cover ups, that’s really a thing for me because the person can see who a failure tattoo transforms on a brand new one, and it’s a wonderful feeling.Not long after that piece was published, Affleck caved and finally admitted “I’m Still Here” was a hoax. I do not have a special tattoo design, but I’m comfortable doing realism, sketch and linework. I started tattooing in Honduras back in 2017 from time to time, then in 2019 I moved to Chile because of the painful situation in my country, and now I’m still here tattooing more and more and learning with each tattoo I do. And that’s how it all started, with a lot of panic and very nervousness, tattooing my family and friends. One day my cousin tells me “just tattoo me, I trust you”. I look for so many YouTube tutorials, but I never dare to tattoo someone a person. With the Spanish guy machines I tattooed myself on an ankle a drawing made by my girl and only I can understand that drawing, but then he had to move to Spain and give me old machines with the promise of coming back and teach me how to tattoo.Īnd, because I keep the machines, I learned by myself. tattoos.Īnd this is how my adventure with tattoos started. He used to paint, to draw, to sculpture, graffiti and. ![]() ![]() In my country, Honduras, I met a Spanish artist and I fell in love with him. Love moves us, at least that is what they say.Īnd that’s what happened to me with the tattoo world! ![]()
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